Describe your work to someone without sight?
My work is textile based. I strive to honor handmade items of domesticity that are important but undervalued in a capitalist society. I used humble materials with traditional techniques that come from a 1000 years of knowledge. When I paint with gouache, I add large scale embroidery elements.
Currently Reading?
Brene’ Brown The Power of Vulnerability
Art Crush?
Elena Stonaker’s raw organic sewn and stuffed and beaded. Her voice is in everything she makes.
Big turning points?
My mother bought me a sewing machine when I was 14. I taught myself to sew. And I worked at Reed Brothers in the textile department. When I worked for The Rose Knot I learned the right way to do things and the real names for techniques.
Do you have an art uniform?
No in fact, I have restrictions that all my clothing comes from thrift stores or I make them myself. I am not supporting fast fashion.
Most unusual art piece?
Bow ties for dogs
Teach me something?
I can make a really good Quilter’s Knot.
Most anticipated show to see?
My brother is also an artist working on a show in CA, ReCollage, a fashion show where everything including the thread came from the dump.
Favorite tools?
My self healing mat. I use it for cutting and planning works on paper as it helps me visualize the sizes. My Juki sewing machine and my Gingher stork embroidery scissors were big splurges but I couldn’t work without them.
What does a bad day in the studio look like?
Any day I can work is a good day. I like what Andrew Simonet said at Artists U, that artists are like scientists in a laboratory.
What is your art superpower?
I can recreate as sculpture something that is in my mind and bring it to life just as I imagined it. I have confidence. I can give up control and forgive myself.
Why does Art Matter?
It is therapeutic. For me it is a special way to communicate the space I am in. It gives me a sense of pride. Art is fundamental. Everything with which we interact was designed. What I do never gets old even though sewing and weaving are ancient. I am blown away by how fresh it can feeI. I like that what I do gives a nod to grandma.
How is it that you are so beautiful?
I am a synthesis of my Mom and Dad’s marriage and my ancestors on both sides. They allowed me to be here and to do this. I use my time to think about them when I make my work. I feel lucky. I had opportunities.
Susan Irish is the founder and owner of Fabulon – Center for Art and Education. Each month she interviews a different local artist.